A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.

This film is based on Marco’s story, a person who lives an identity disorder as a consequence of Colombia’s armed conflict, which forced him to change his identity three times. In his mother’s house, Marcos finds objects that take him to a world where his memories, fears and the ghosts of those men that he once was coexist. Marco has to face a part of the story that he wants to forget: Marco was part of the communist guerrilla. That truth will be revealed and Marco will lose his family. This film explores the limits between cinema, theater and performance.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.