A boy and a girl, both teenagers, want to get away from the world and be alone for a while, so they hide in an abandoned factory on the outskirts. But there they fall in a trap of their own intention, and get stuck in the cargo elevator. There is no one around to hear them, and nobody knows their whereabouts. Tension arises after each failed attempt to escape, while they also have to deal with the fact that their entire universe is now reduced to a metal box smaller than a room.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
