Medina is the prototype Rolo Playboy: millionaire playboy and sophisticated. However, sometimes is lonely at the top. But everything changes when he suffers a series of accidents and always be the same girl to save. The downside is that the lady in question is married, and her husband is a doctor who will devise a strange revenge against the young astray. Along the way, Rolo will discover the meaning of life and love.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
