
A man, tired of technological advances and consumerism, decides to destroy his electrical appliances.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.