One day, Yoshimi Satomi, the castle owner of Takita Castle in the country of Anbo, and his confidant Daisuke Kinba, on the way to hunt wild boars, felt sorry for a small dog that was about to be swallowed by a giant snake like a giant tree, and killed the serpent in a fierce battle and saved the puppy. Yoshimi decided to keep the puppy, naming it Hachibo. Now the Serpent Demon is determined to destroy Takita Castle, while Hachibo defends it with his life. His spirit is split into eight, and eight brave warriors must unite to defeat the demoness snake.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
