'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Every now and then, occurrences take place on the streets, alleys and highways of this city like the accumulation of moss on a concrete wall. Though majority of these fresh deposits appear true to us, they could really be otherwise. Nonetheless, wrapped under the folds of these truth and lies, three tales are carved to be called “Ei Muhurte”.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Emily and Stephanie are back... just add gin and drama.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.