“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Alex is a young boy who grew up without the warmth of a family home. He is lonely and lacks money. He is in love with his college friend, Maja, without reciprocity. However, the girl decided to get involved with a wealthy man from the criminal world. Meanwhile, as part of his student internship, Alex takes care of a former employee of the Security Office, Franciszek Kozar. The elderly and sick man suffers greatly. His only desire is euthanasia. For some time, Kozar has been persuading his guardian to help him commit suicide for a few thousand dollars. Finally, Alex agrees. His financial situation improves significantly. With the money he earns, he rents a luxury apartment and changes his lifestyle. From then on, he decides to provide services to people who want to end their lives but are unable to do it themselves...
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Sweetheart provides a stark example of self-isolation taken to its extreme.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.