Opposing the Reviews for "Horse Girl"
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

Nowhere, Nobody is a reflection of the life and perspective of Earl Sweatshirt. Through sheer symbiosis, they also reflect the life and perspective of co-writer and director Naima Ramos-Chapman, whose Afrosurrealist vision helped give his latest album, Some Rap Songs, new life.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.