
Dummie has homesickness. He wants to go back to Egypt to seek the grave of his parents so that he can say goodbye to them. Klaas sees that trip is not going to be easy. He finds flying to Egypt scary, it costs way too much money and Dummie has no passport. But if Dummie's painting by Miss Friek is sold for a large amount and he can organise a passport, then can Klaas, Goos, Dummie and Miss Friek leave for Egypt. But is the Tomb of Achnetoet still available after four thousand years? With a plan by Master Drab, Dummie and Goos are investigating. But the search is full of dangers and the best friends walk into a trap. Can Klaas save them on time or keep Dummie and Goos captive forever?
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.