“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Dummie has homesickness. He wants to go back to Egypt to seek the grave of his parents so that he can say goodbye to them. Klaas sees that trip is not going to be easy. He finds flying to Egypt scary, it costs way too much money and Dummie has no passport. But if Dummie's painting by Miss Friek is sold for a large amount and he can organise a passport, then can Klaas, Goos, Dummie and Miss Friek leave for Egypt. But is the Tomb of Achnetoet still available after four thousand years? With a plan by Master Drab, Dummie and Goos are investigating. But the search is full of dangers and the best friends walk into a trap. Can Klaas save them on time or keep Dummie and Goos captive forever?
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.