"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

For minutes, “No!” and “Yes!” have ping-ponged between the three car seats, and I’d long forgotten what sparked the fight, until I called back from the driver’s seat, “At least you’re smart enough to know these arguments are pointless!” A brief silence, then: “…Yes!” As adults, aren’t we just as trapped by scandals and online outrage, clicking into fights over friends’ politics or a driver’s missing turn signal? Whether it’s family squabbles or headline-grabbing protests, the storm may roar, but it changes nothing. Sometimes we need to lift our heads out of the fray and ask: does anyone else really hear the thunder?
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.