'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

During the Ching Dynasty, a Buddhist priest named Hung must take a journey to spread the word of Buddha. He takes the holy Scriptures along on his journey to southern China. During Hung's trip one of Dai-kiang's henchmen (Wah-sang), attacks him and steals the sacred documents. Luckily Priest Hung is able to escape from the attackers and meets a fellow northerner, Huang, who swears to aid the holy man. Hung and Huang return to the temple to regroup, where Huang is taught the deadly technique called, Magic Kicks! Armed with this new fighting style Huang embarks on a mission to retrieve the documents. He'll need more then just skill to take on Dai-kiangs army of misfits, but will he find the help he needs?
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.