
In her fantasy-filled and wonderfully nonchalant film, Maria Dakszewicz deals with one of the most important fears of our times, the essence of which could be summarized in a question: What punishment awaits me at home if I come back from a party a little too late on Friday evening?
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?