Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Drive My Car (2021)
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
4.5 / 5
PopScore
Incluvie Stamps
Representation
Incluvie Movie Reviews
Leon Morgan
March 27, 2022
4.5 / 5
PopScore
Incluvie Stamps
'Drive My Car' Can Repeat History
The 94th Academy Awards are right around the corner and with some truly wonderful films like The Power of the Dog, Dune, CODA, Belfast, and Licorice Pizza, the race for Best Picture is incredibly tight. But there's a film that has been gaining momentum at the perfect time - Ryusuke Hamaguchi's Drive My Car. Since the inception of the ceremony, The Academy had long avoided awarding foreign films the honor of Best Picture, even going as far as to award Alfonso Cuaron Best Director for Roma, then proceeding to give the Best Picture award to Peter Farrelly's Green Book in 2019. But in 2020, they finally broke this near century-long habit and awarded Bong Joon Ho's masterpiece Parasite with not only Best International Feature but Best Director and of course, Best Picture, becoming the first foreign film to ever do so. Now
[read more]Pictures and Videos
Movie Information
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Rating:NR
Genre:Drama
Written By:Ryusuke Hamaguchi, Takamasa Oe
In Theaters:11/24/2021
Box Office:$15,356,046
Runtime:179 minutes
Studio:Bitters End, C&I entertainment, Culture Entertainment, nekojarashi, Quaras, Bungeishunju, Nippan Group Holdings, The Asahi Shimbun, L'espace Vision
Articles You May Like
'The Birdcage' is a Fun Film to Watch for Pride Month
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
“Omaha”: Innocence Broken by Economic Injustice
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Outer Banks Ignores Its Racial Context
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Telling Other People’s Stories: Representation on Both Sides of the Camera
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.