Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.

While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.

A world of expansion awaits.

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.