'The Killer,' Sponsored by...
David Fincher is back in his playpen, with a dark and chilling thriller.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.
David Fincher is back in his playpen, with a dark and chilling thriller.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
American Fiction is a genuinely entertaining film with a few lessons.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.