Pretty Lethal (2026): When Ballet Turns Brutal
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.

Dora Nelson, a famous actress, leaves both her husband Philippe de Moreuil and the role she was playing in a movie directed by Nivert, to follow her lover Santini in Italy. But she soon realizes that Santini deceives her with a girl named Elsa. In vexation she decides to return to her husband and to her career. Unfortunately for her, Suzanne Verdier, a little working girl, has in the meantime replaced her not only in the film she had left unfinished but in her husband's heart as well. Dora eventually understands she must step aside.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.