"Marriage Story" is no "Kramer vs. Kramer"
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.

Throughout the ’80s John Hughes defined the teen movie genre and spoke not only to that generation’s teens, but every generation that has followed. Then in 1991 he hung up his director’s hat and disappeared into obscurity ala J.D Salinger. In 2008, a group of young Canadian filmmakers set out to complete a documentary about the man with what they hoped would culminate with an interview, which would be his first since 1999.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.