The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

One year after a young girl dies in a car accident, her sister begins seeing visions of her, while the family home is plagued by strange happenings.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.