Donne con le gonne 

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.

Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.

At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.

An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.

The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.