Domestic (as long as it lasts) was made in 2002 in Gordon’s one-bedroom apartment in downtown New York City. It shows the artist’s foot repeatedly kicking the camera around a clean, quiet domestic space until the video blacks out. The victim of the booting, the camera itself, is recording the footage we see. The viewer is disoriented by the film’s upsetting of the conventional relationship between documenting and participating, which makes the camera complicit in the act.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
