Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

When the TARDIS arrives on the plains of Asia Minor not far from the besieged city of Troy, the Doctor is hailed by Achilles as the mighty god Zeus and taken to the Greek camp. He meets Agamemnon and Odysseus. Forced to admit he is a mere mortal — albeit a traveller in space and time — he is given two days to devise a scheme to capture Troy. Steven and Vicki, meanwhile, have been taken prisoner by the Trojans. Vicki, believed to possess supernatural powers, is given two days to banish the Greeks to prove she is not a spy.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.