'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

As summer turns into fall and fall turns to winter, two people with an unresolved connection quietly debate whether to reach out or move on, before winter turns to spring.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.