Roger Dollison, a police officer, and his wife, Kendra, are living the American dream. They have two children, Teddy and Sandy, a lovely home, and a dog named Rex. What they know and how they live as a family is irreparably changed one day when it is discovered that a classmate of Teddy's is the apparent victim of sexual abuse and molestation at the respected neighborhood daycare center. Like all other parents, the Dollisons are tormented — "we should have known, we should have seen" — but their devastation is complete when Teddy tells his own story, one he promised his abusers he would never tell.
Gilbert Cates
Director
Pam Dawber
Kendra Dollison
John Shea
Roger Dollison
Stephen Dorff
Sandy Dollison
Brian Bonsall
Teddy Dollison
Matthew Laurance
Marvin Bernstein
Anthony Geary
Stephen Pugliotti
Georgann Johnson
Mavis Richardson
Bruce Fairbairn
Ellis Stockman
William Prince
Arthur Richardson
Graham Jarvis
Judge Allen
Ruth de Sosa
Susan Larrimer
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Although the budget was a dollar and a dream, Netflix's 'First Kill' managed to gain over 90 million viewing hours and a small cult following. So why was it canceled? Given the trends in series cancellations, it may have been because of the Black and queer protagonists.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.