
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.