
Post-war Germany: Like so many other women, Gerda Krause has lost her husband during the war and has to fend for herself and her two children. She finds work as a seamstress but refuses the offering of her department chief Zimmermann to upgrade her qualifications. One day she meets Uschi, an old friend of hers, whom she has helped with schoolwork before the war and subsequently lost track of. The reunion reminds Gerda of her childhood dream: to become a teacher. Thus, she decides to enroll at university to make her dream come true.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
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Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes