Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Dirty Girls poster

Dirty Girls (2000)

"In Spring of 1996, my senior year of high school, I documented a group of 8th grade girls who were notorious for their crass behavior and allegedly bad hygiene...", the film begins. Shot in 1996 and edited in 2000, this is a short documentary about a group of 13-year-old 'riot grrrls' in Los Angeles who were socially ostracized by their peers and upperclassmen.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


"In Spring of 1996, my senior year of high school, I documented a group of 8th grade girls who were notorious for their crass behavior and allegedly bad hygiene...", the film begins. Shot in 1996 and edited in 2000, this is a short documentary about a group of 13-year-old 'riot grrrls' in Los Angeles who were socially ostracized by their peers and upperclassmen.

Rating:
Genre:Documentary
Directed By:Michael Lucid
Written By:
In Theaters:5/29/2000
Box Office:

Runtime:18 minutes
Studio:

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger