Everything The Critics Got Wrong About ‘Pinocchio’
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.

Didi works at a traditional candy factory, which faces serious problems with the competition of a big company, whose products are full of artifical and dangerous flavors and colorants. He tries to warn the kids of the danger, but they don't believe him, and he prays to his saints of devotion, St. Cosmas and St. Damian, for a solution. Some other day, he gives shelter to two poor men who, in return, give him some magical candies. After eating them, he turns into a kid and tries again to talk to the other children, who now take him seriously, since he has become one of them.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.