This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Sweetheart provides a stark example of self-isolation taken to its extreme.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
