After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.
Vladimir Tadej
Director
Aljoša Vučković
Marin
Klaus Löwitsch
Njemački narednik
Pavle Vuisić
Bartul
Slavko Štimac
Mladi partizan
Beba Lončar
Drugarica Tanja
Richard Harrison
Američki narednik Taylor
Krunoslav Šarić
Vice, komandir partizanskog razarača
Peter Carsten
Zapovjednik njemačkog broda
Miodrag 'Miki' Krstović
Bošnjo
Ružica Sokić
Ljiljina majka
Petar Jelaska
Jure
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.