A deputy comes upon a young girl who has been fired and cheated out of her wages by her former employer. The deputy helps her get what's due her, and accompanies her to her hometown, where they discover that her stepfather has plans to marry her off to a big-time smuggler.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
