Dune (2021): An Islam-Inspired Theme With Powerful Aesthetics, but Reminiscent of Lynch
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.

Katharina and her son Stefan (16) live in a small town where everybody knows everybody. Stefan has been born with severe asthma. Katharina has ceased to count the nights that she has spent at his bed listening with fear, his breath. Their care and care have accompanied the child's growing up. Very deeply in Katharina is a doubt whether she really loves her child. Stefan's burgeoning sexuality finds its way in a disturbing way. He scares women during nightly journeys through the city, escorts prostitutes in front of a brothel, and watches couples in sex. When a young woman is found dead, the suspicion grows in Katharina that Stefan can be the culprit. He winds more and more out of Katharina's clasp and is increasingly aggressively seeking his own space. When a second woman is found murdered, Catherine's suspicion becomes evident. The relationship between mother and son implies a tragedy.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.