No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.