Trauma Personified: 2018's "Citizen Rose"
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.

Maren Hilbert is the new teacher at the private elite school Sophienbund. She soon realizes that the school, which looks so perfect on the outside, is in a pretty bad state on the inside. When a killing spree is announced, Maren knows she has to act. But neither the principal nor her colleagues take the threatening emails or Maren seriously, only police officer Niklas Götz (39), the father of one of her pupils, supports her in her research. Maren is certain: the potential killer is a boy from her class and he is serious. A race against time begins.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
This animated Christmas movie is based on the classic novel of the same name.
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While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.