Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A lawyer tried to defend a person accused of murder who is diagnosed with Split personality disorder.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.