
After fourteen titles in our DeCROTCHery series, one wonders why anybody would ever go head-to-head...or balls-to-balls...with Jobe Zander. The man is a muscle god in a powder blue Speedo, and he has never, EVER looked better. He struts onto the glossy black mats, leading with his impressive cock, ready to teach a youthful Dante Martin a thing or two about Can-Am wrestling.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?