Women in Marvel: Marvel Films and TV Shows Dominated by Women
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.

Directed by Tonia Selley, Dead Men Don't Tour was first broadcast on SABC 3 at 9.30pm on the 5th July 2001 just after 'Ripley's Believe Or Not'. This film features wonderful concert footage, backstage antics, interviews with Craig Bartholomew Strydom and Stephen "Sugar" Segerman, Rodriguez and his family, the promoters, the fans and the musicians. All live footage was filmed at the concerts in Pretoria, Durban and the Blues Room in Johannesburg.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
'Renaissance: A Film by Beyoncé' is set for release on December 1, 2023. Join Incluvie in reviewing the trailer of this legendary trailblazer.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.