"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

A divorcée struggling to make ends meet, but still utilizing her spare time for social causes neglects her daughter in this fact-based story. At 18, the daughter starts drifting into bad company and eventually becomes a prostitute. To try to get her back in a proper life, her mother abducts her off the street and forcibly brings her home.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.