‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

Psichinski rings Mr. Semmler's doorbell and alerts him to strange noises in the attic. Together they sneak upstairs and discover a full-grown horse, which they report to the police officer. He triggers the alarm. The fire department and several workmen marvel at the event and ponder how it could have gotten there in its full size. The return transport requires structural measures and reconstruction work. After completion, Psischinski's house resembles a "jewel box". Later, the policeman asks Psischinski how he "managed" the matter and learns that he had brought a foal there 1½ years ago in order to draw the attention of the public, especially the tradesmen, at the appropriate time so that work that was difficult to carry out could finally be completed. Shaking his head, the official, who also owns a house, leaves the property with the comment: "You should have a horse!"
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.