'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Hansi Haller was a successful pop singer in the 1980s. But now that he only performs in Bauhaus and his fame has faded, he is struggling with life. Even his agents Swens and Dreher can't help him. There is the only Hansi Haller fan club in the Eifel village of Bad Böhlen. Its members are Erika Plausen and Irene Büggel. Erika receives a visit from her daughter Heike, who has just left her unfaithful boyfriend after his infidelity.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.