
Daphne was a torso ending in leaves is a playful and witty ode to a star of classical mythology: Daphne. Here, the beautiful nymph, who was metamorphosed into a tree to escape a stalking God, is celebrated as a heroine and master of her destiny. But this cinematic gem, shot on 16mm is above all a rich filmic experience, in which images and sound are meticulously intertwined to immerse the spectator in a universe of myth and legend.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.