“Young Washington” is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

A young woman's past catches up with her five years later and nearly shatters her life. As a footloose cocktail waitress, she unwittingly once spent the night in Manhattan with a political assassin and now, as a happily married cop's wife, has the misfortune of running into him after all this time in Portland, Oregon -- and the pursuit begins.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
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A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.