Aaron, a young, successful Chinese businessman, drifts on to a rural island after a scuba accident. Mistaken for an illegal immigrant, he is forced to take refuge in a small, family-run grocery store. Enjoying the riches to rags transition, he tells nobody his true identity, and falls in love with the grocery store owner's daughter, Yvonne. But while Aaron enjoys his life of anonymity, Yvonne covets the chance to escape her poverty. Meanwhile, in Aaron's absense, a plot has been hatched to take over his company. Are Aaron's and Yvonne's lives too different to find happiness together?
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
A dynamic journey of self-acceptance and identity.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
