Ah Long's father was desperate to have a son born in the year of the Dragon because his ancestors had decreed that only a "Dragon boy"could take over family's lion dance association, His mother instead gives birth to "Dragon girls" while Ah Long himself was born several seconds after the clock struck twelve, making him a "Snake baby", much to the disappointment of his father. At present time, Mother Long orays to the gods for blessings on her three children and pours out her desire for a grandchild. The oldest daughter Lucy, 48, is a spinster and can't find suitable work. The second daughter Ah Bee, 36, is a gambling addiction counselor who is tomboyish and was recently dumped by her boyfriend. The youngest and only son Ah Long is married but is terrified of children. Meanwhile up in heaven, the gods are growing sick and tired of hearing Mother Long's daily prayers for a grandchild and deliberate whether to grant Mother Long her wish....
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Based on a true story, this sports movie is centered around a college football player.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Like Stars on Earth is a representative movie that talks about dyslexia to young audiences and why it is important in today's generation.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
