Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Damsel is a LGBTQ lesbian / bisexual short film about how excessive flirting easily can be used against you. Kind of. Honestly, it's just about two girls being gay for each other in a trashy bus station because why not?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
The film is a powerful narrative encompassing a theme that many people can identify with.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.