"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

There’s one girl who drives motorcycle toughly on the street. She is working for a home-delivery service, she’s always thinking of her death. That’s why she chooses her dangerous job. One day, all of a sudden, she got a little strange phone call. A lady said “I want my boy dropped off to a wedding hall in 30 minute.” when she got there, the bridegroom in that wedding hall refused to take over the young boy. So here goes a long journey by their destiny. So the abandoned people are all in the same boat now and have to go together place where their invalid, exhausted and injured soul would be embraced by something else. What’s the answer gonna be?
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
'Selena: The Series' loses sight of the story's heart: Selena herself.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.