"Enola Holmes 3" Screws Up Its Main Character And The Worldbuilding
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.

It’s murder putting on a new musical – literally! The star of a new Broadway-bound musical has been murdered on stage on opening night! The entire cast and crew are suspects. Time to call in the local detective, Frank Cioffi. With a nose for crime and an ear for music, Frank tries to find the killer whilst giving the show a lifeline.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?