“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

A railway crossing in the middle of nowhere. Two guards: solitary Yiannis who never leaves his post and cool Antonis who goes with the rhythm of the landscape. Every once in a while, a voice announces the passing of a train. The two guards manually lower the bars. Nothing seems to stir their daily routine until love charges in, crushing all certainties.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
This animated movie is based on the migration of birds from the north to the south.