With the help of God, the loveable safecracker Paul Wittkowski – aka “Cracker-Paulie” – manages to escape the clutches of the cops. He dresses up as a priest and ends up in a village, whose pastor is in dispute with an influential businessman. To help the pastor and a young widow, Paulie has to use his own special abilities. This work leads him back to the path of righteousness. He contacts the police and, after serving his time, starts a new life with the widow.
Axel von Ambesser
Director
Gert Fröbe
Paul Wittkowski
Karlheinz Böhm
Father Steiner
Rudolf Vogel
Anton Baumberger
Ellen Schwiers
Maria Holzmann
Lucie Englisch
Frau Nestle
Manfred Kunst
Peter Holzmann
Barbara Gallauner
Fräulein Mauer
Hans Jürgen Diedrich
Wachtmeister Franke
Toni Treutler
Thérèse Baumberger
Rosemarie Kirstein
Helga Baumberger
Hans Clarin
Karl Schmiedel
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.