Criminal Court (1946)

Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories. 

'Selena: The Series' loses sight of the story's heart: Selena herself.

'Don't Lose Your Head' follows the motto of "grades aren't everything."

One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.