THE LOTTERY OF BIRTH is the first in a three-part documentary series entitled 'Creating Freedom' exploring the relationship between freedom, power and control in Western democracies. The series draws together interviews with some of the world's leading intellectuals, journalists and activists to offer an alternative perspective on today's society and the future we're creating. We do not choose to exist, or the environment we grow up in. Our starting point in life is one of passive reliance on forces over which we have no control. THE LOTTERY OF BIRTH shows that from birth onwards our minds are a battleground of competing forces: familial, educational, cultural, and professional. The outcome of this battle not only determines who we become, but the society that we create.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
This holiday movie serves as the prequel to the TV series The Really Loud House.
